SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!

praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Monday, August 15, 2011

Duke Of Peducah (Whitey Ford)

By Praguefrank & Michel Ruppli
SESSIONS
ca. December 1953 Nashville, TN – Duke of Paducah (Whitey Ford)
001 YW-7527 WHAT IT WAS (IT WAS A FOOTBALL GAME, PT.1) 70290-x45
002 YW-7528 WHAT IT WAS (IT WAS A FOOTBALL GAME, PT.2) 70290-x45
1961 Starday Sound Studio, 3557 Dickerson Road, Nashville, TN – Duke of Paducah (Whitey Ford)
comedy routine
ca. March 1964 unknown - Duke Of Paducah (Whitey Ford)
003 BARKER'S SPIEL Starday SLP-288
004 MEDICINE SHOW SLP-288
005 NO MONEY IN THIS DEAL SLP-288
006 YOUNG WIDOW BROWN SLP-288
007 COURTIN' IN THE RAIN SLP-288
008 SIDE SHOWS SLP-288
009 GOOD TIMES GONNA ROLL AGAIN SLP-288
010 BANJO PICKIN' GIRL SLP-288
011 BOIL THEM CABBAGE DOWN SLP-288
012 COWPOKE SLP-288
April 1969 RCA Victor Studio, 800 17th Ave. South, Nashville, TN - Duke Of Paducah (Whitey Ford) (Producer: Vaughn Horton)
013 XWA4-1524 THE FAST-TALKING AGENT RCA Victor 74-0176
014 XWA4-1525 APPALACHIAN BLUES RCA Victor 74-0176


ALBUMS
Starday SLP-148 Button Shoes, Belly Laughs & Monkey Business: (comedy routine) - 61
Starday SLP-288 At The Fair!: Barker's Spiel; Medicine Show; No Money In This Deal; Young Widow Brown; Courtin' In The Rain; Side Shows; Good Times Gonna Roll; Banjo Pickin' Girl; Boil Them Cabbage Down; Cowpoke - 64

SINGLES
Mercury (1953)
70290X45 What It Was (It Was A Football Game, Pt.1) / What It Was (It Was A Football Game, Pt.2) – 12-53
RCA Victor (1969)
74-0176 Appalachian Blues / The Fast-Talking Agent – 06-69

Tim Briggs

By Praguefrank SESSIONS
1997 Emerald Studios, Nashville, TN/ Garden Studio, Nashville, TN/ Javelina Studios, Nashville, TN/ Music Box, Nashville, TN – Tim Briggs (Tim Briggs [vcl/gt/ mandolin/ fiddle/ harmonica], Ben Briggs [vcl/gt], Larry Hanson [ac gt/el gt/keyboards], Robert Byrne [gt], B. James Lowry [gt], Jim Harrison [el gt/bck vcl], Bill Hinds [el gt], Greg England [bass gt/bck vcl], Glenn Worf/ Larry Paxton [bass gt], Craig Krampf/ Owen Hale [drums],  Terry McMillan [harmonica/ percussion], Dwaine Rowe/ Steve Nathan [keyboards], Alan Taylor [bck vcl]. Producer: Teddy Gentry, Robert Byrne, Buddy Cannon)
001 COUPE DE VILLE Intersound 9297
002 EVERYTHING SHE NEEDS Intersound 9297
003 COUCH POTATO Intersound 9297
004 MEMPHIS WOMEN AND CHICKEN Intersound 9297
005 NOBODY KNOWS HER LIKE I DO Intersound 9297
006 SHE'S A COUNTRY GIRL Intersound 9297
007 NO DIFFERENCE Intersound 9297
008 MADE IN JAPAN Intersound 9297
009 WOMAN LIKE YOU Intersound 9297
010 COLD BUDWEISER AND A SWEET 'TATER Intersound 9297
011 ONE EYED DAN Intersound 9297

ALBUMS
Intersound 9297 Tim Briggs: Coup de Ville; Everything She Needs; Couch Potato; Memphis Women and Chicken; Nobody Knows Her Like I Do; She's a Country Girl; No Difference; Made in Japan; Woman Like You; Cold Budweiser and a Sweet 'Tater; One Eyed Dan – 31-03-98

Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.